A Box of Slides
If the phrase “a picture is worth a
thousand words” holds true, then the Museum possesses a few million words as
stored objects. Since the tenure of the Museum’s original director and humble
naturalist Lois Nestel, a few thousand photographic color slides have accumulated here
like family photos stuffed inside of a shoe box. While some slides have been used
throughout the years as educational tools, others have remained as nostalgic
reminders of local places and familiar faces. Today, most of the slides are
housed in archival storage boxes still awaiting formal accession into Museum
records. This store of 35 mm imagery tells volumes about the Museum’s history
and expresses the wonders of natural history in a manner unlike that of other
museum specimens.
Imagine the ability to see through the
eyes of Lois Nestel as she expertly searched the Cable area one spring for flowering
plants. Because of the Museum’s store of slides, this is possible. Accompanied
by a script written by Lois, a collection of some 38 botanical scenes remain
ready in a projector carousel for Lois’s spring wildflower program.
Just one slide could capture an entire moment for Lois to share with her
audience as she described each plant’s attributes. Luckily for her viewers,
flowers could be witnessed as they occur in their environment, stems reaching
up towards the sunshine. Although the flowers pictured have long returned to the soil,
their image remains on a 35 mm slide to be shared again with Museum visitors to
come.
For a natural history museum, the ability
to share visuals is one of many valuable instruments for conveying the wonders of
the natural world. Photographs are
utilized from supplementing a talk to opening a window into an experience. Admittedly,
some yet hold little value for educational programming. They do, however, store
memories of the Museum’s place within our community. Slides span back to Lois
Nestel’s tenure as Director from 1967 to her retirement in 1988, and more were generated
until fairly recently. One can flip back through slide pages to see the
construction of the Jackson Burke House, staff working on large desktop
computer monitors of the old facility, components of past exhibits, and some of the many programs
led by the Museum’s naturalists. There has been a reason for keeping all of these images, and something about holding an
old photographic slide once owned by the Museum’s first director feels
significantly sentimental.
Thinking to the future, the Museum intends
to document each slide in our records. Images will be described, inevitably sparking memories
and leading to stories shared around the office. While the physical slides
shall be carefully stored for their value as a nearly extinct format,
preservation efforts further include copies in a modern format. Beginning with Lois
Nestel’s spring wildflower photos, the move to digitize the slides is already
underway as a means to safeguard the information kept within impermanent
objects.