A Bird in the Hand is Worth a Lot
Within
this past month, the same individual happened to
visit the Cable Natural History Museum on two separate occasions, both times
carrying a dead bird. One was a red crossbill that he had unfortunately hit
while driving a county highway. The other he picked up as he saw a flash of red
alongside a road. This, also, was a red crossbill. While the Museum already has
representation of this species, his two salvaged birds were carefully placed in
our freezer to await preparation. I laughed to myself at the chance of
receiving two of the same bird from one man, but knew that both held the
promise of bringing new life to our collections.
Having
a taxidermy mounted on a perch and two study skins already in drawers, saving
these new crossbills may seem excessive. The
shelving is already fully lined from top to bottom, so why take up more space
in the collections storage room? The way a curator sees it, more than one red
crossbill couldn’t hurt. In fact, having duplicates of species better serves
the public, researchers, and the mission of many museums.
The
uniqueness of specimens is important. Physical differences between each of our
multiple red crossbills can better inform our understanding of genetic
variations within the species. As technology evolves, researchers gain more
ways to look at the same object. Examining a specimen multiple times might
actually reveal a unique trait that places it in a different species than
originally thought. This happens quite often, in fact. Records on date and location of collection
additionally help us to observe changes over time, not only for a particular
species, but changes in ecosystems as well. In this sense, museums act as part
archive for research materials.
Museum
visitors will also experience the benefits of having a stockpile of the same
animal. The possibilities for positioning an animal are only limited by the
ability to arrange its parts, as taxidermists bring life to their subject with
the depiction of movement. A bird could be soaring with wings outstretched,
talons clutched around a mouse, or calmly perched. The many interpretations allow
a museum visitor to better experience what may be witnessed in the wild.
Ironically,
receiving dead animals can bring such life to a museum’s collections. These physical representations of the world
around us can give just as much of a glimpse into the past as they can the future.
When someone happens to bring in any animal or other natural materials, the
Museum benefits significantly. We ask, however, that readers do not
intentionally hit animals with their vehicles in the name of science.